Jens Soering Continues His Fight

promise_soeringReaders of this blog will know about Lantern’s author Jens Soering, currently serving life imprisonment in Virginia following his conviction for two murders in the mid-1980s. In 2015, Jens was the subject of a piece in The New Yorker by Nathan Heller and two blogs by me, Martin Rowe, in which I examined his very difficult situation. I talked about how important it was to me that Jens’ powerful insights into life in prison, his newly kindled Christian faith, and the prison-industrial complex were not dismissed because of any prurient obsession we readers might have about whether he was guilty or innocent. I suggested that we needed to get beyond the notion that innocence equaled authority or, conversely, that guilt meant you had nothing valuable to offer society. I affirmed that I published Jens because I thought he had important things to say.

I also indicated that publicity was a double-edged sword for Jens and for Lantern. I hoped that the attention brought to his situation by The New Yorker would encourage people to read his books and lead to his repatriation to his native Germany (Jens’ request), given that he had served more than enough time and posed absolutely no threat to the people of Virginia or the United States. But I also feared that the publicity might reactivate in the public’s consciousness Jens’ original trial and conviction and that, in turn, might encourage politicians in the Commonwealth of Virginia to burnish their “tough on crime” credentials by denying Jens’ request for repatriation to his native Germany. Sure enough, Governor Terry McAuliffe of Virginia turned down the request, partly, according to Jens, because of the original New Yorker piece, which Jens considers to have been poorly researched and misleading.

The New Yorker article—really two articles, since Heller wrote a follow-up in which he stated that Jens was “possibly innocent”—has helped to propel interest in Jens’ story, especially in Germany where his case is a cause célèbre and where the penal system is much less cruel and unusual. (Indeed, as Jens presciently noted in An Expensive Way to Make Bad People Worse, which we published over a decade ago, the U.S. system is so counterproductive that it cannot be sustained.) In June, The Promise (a docudrama that questions Jens’ conviction) premieres at the Munich Film Festival, and will then go on general release. Efforts are underway for distribution in the United States. And last month, Sandy Hausman, an award-winning journalist with WVTF public radio in Virginia, who has long taken an interest in Jens’ case, produced a further three-part series re-examining it. You can find these here:

One can only hope that The Promise and radio pieces such as Sandy Hausman’s will encourage the U.S. to release Jens—with as little fanfare as possible—back to Germany.